![[Union Private, Eleventh New York Infantry (First Fire Zouaves)] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP272311.jpg)
[Union Private, Eleventh New York Infantry (First Fire Zouaves)]
Unknown
May–June 1861 · Ambrotype with applied color
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
439 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,766 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Union Private, Eleventh New York Infantry (First Fire Zouaves)] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP272311.jpg)
[Union Private, Eleventh New York Infantry (First Fire Zouaves)]
Unknown
May–June 1861 · Ambrotype with applied color
Cleared · Public Domain
live
VIEW/ FROM/ COENTIES-SLIP
Thomas Dimmock & Co. (d. 1859)
ca. 1828–ca. 1859 · Earthenware, transfer-printed
Cleared · Public Domain
live
The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn.
Currier & Ives (d. 1907)
1883 · Color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A South-West View of the City of New York in North America
John Carwitham (d. 1741)
[ca. 1765] reissued ca. 1793 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruins of the Exchange and Adjacent Buildings, After the Great Conflagration, Dec. 16, 1835
George Endicott, New York (d. 1848)
1835 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Terrific Explosion at the Great Fire in New York from Broad Street, July 19th 1845
Nathaniel Currier (d. 1888)
1845 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Terrific Explosion at the Great Fire in New York, from Broad Street, July 19th, 1845
Nathaniel Currier (d. 1888)
1845 · Lithograph; uncolored proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Ruins of the Great Fire in New York
Eugene Sintzenich (d. 1852)
1842 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of New York
Currier & Ives (d. 1907)
1869 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of New York
Currier & Ives (d. 1907)
ca. 1869 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the City of New York, as Seen on the Morning of the 13th December, 1835, from Brooklyn Heights (Card of the 16th Annual Meeting of the Society of Iconophiles)
The Society of Iconophiles (d. 1936)
1911 [reproducing work of 1835] · Color lithograph with hand coloring
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.