
A South East View of the City of New York, in North America
Pierre Charles Canot (d. 1777)
ca. 1768 · Etching and engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
682 ms. The Metropolitan Museum of Art, Collection API (Open Access)
442 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 310 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A South East View of the City of New York, in North America
Pierre Charles Canot (d. 1777)
ca. 1768 · Etching and engraving
Cleared · Public Domain
live
A South West View of the City of New York, in North America
Pierre Charles Canot (d. 1777)
ca. 1768 · Etching and engraving; probably second or third state
Cleared · Public Domain
live
Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box
Luigi Vanvitelli (d. 1773)
1700–1773 · Pen and black-gray ink, brush and gray wash, over traces of compass and ruled construction lines in graphite
Cleared · Public Domain
live
A View of the Palace from the Lawn in the Royal Garden at Kew
Unrecorded maker
third quarter 18th century · Silk, wool on canvas
Cleared · Public Domain
live
Circular view of the Conciergerie with hidden silhouettes of the Royal family in the clouds
Anonymous
18th century · Etching
Cleared · Public Domain
live
South West View of the City of New York in North America
Pierre Charles Canot (d. 1777)
late 18th century · Etching
Cleared · Public Domain
live
Krater vase with a signed view of Potsdam
Royal Porcelain Manufactory (Königliche Porzellan-Manufaktur), Berlin (d. 9999)
ca. 1825 · Hard-paste porcelain
Cleared · Public Domain
live
View of Amalfi from the Capuchin Monastery
Unrecorded maker
1810–40 · Gouache
Cleared · Public Domain
live
View of the convent in Sintra
Clementine de Brelaz (d. 1892)
1840 · Lithograph on chine collé on a larger support sheet
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Hermitage in the Royal Garden at Richmond
Hubert François Gravelot (d. 1773)
1730–37 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Place de la Grande Garde, Dresden, from Moritzstrasse, in "Raccolta di Vedute della Citta di Dresda"
Bernardo Bellotto (d. 1780)
1750 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of the Theatre Royal Drury Lane
John Greig (d. 1853)
1800–1809 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.