
Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)
Jacques Callot (d. 1635)
ca. 1630 · Etching; fourth state of five (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1489 ms. The Metropolitan Museum of Art, Collection API (Open Access)
274 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 437 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)
Jacques Callot (d. 1635)
ca. 1630 · Etching; fourth state of five (Lieure)
Cleared · Public Domain
live
Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)
Jacques Callot (d. 1635)
ca. 1630 · Etching; second state of four (Lieure)
Cleared · Public Domain
live
View of Ryogoku Bridge in the Eastern Capital
Shōtei Hokuju 昇亭北寿 (d. 1820)
ca. 1810–1820 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Souvenir spoon with view of the Rialto Bridge
Unrecorded maker
late 19th century · Silver-gilt and enamel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Lake Island from the Bridge at Kew
William Marlow (d. 1813)
1763 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Westminster Bridge
Joseph Constantine Stadler (d. 1822)
ca. 1790 · Soft-ground etching and aquatint, printed in gray and brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Pont Notre Dame and the Louvre, Paris
Georg Balthasar Probst (d. 1801)
second half 18th century · Etching, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the City with the Louvre &c., Taken from Pont Marie
Thomas Girtin (d. 1802)
1802 · Soft-ground etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Louvre & Bridge of the Thuilleries, taken from Pont Neuf
Thomas Girtin (d. 1802)
1802 · Soft-ground etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Louvre and Bridge of the Thuilleries, taken from the Pont Neuf (Vue du Louvre et du Pont des Thuilleries, prise du Pont Neuf)
Thomas Girtin (d. 1802)
1803 · Soft-ground etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from Bridge of the Battleship Minnesota
Unknown
1860s–80s · Photomechanical print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 7 Stereograph Views of the Forth Bridge, Queensferry, Scotland]
International Stereoscopic View Company
1850s–1910s · Albumen silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.