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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    282 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    465 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 187 matching records exist across the two collections.

Results for "View of the Miyozaki Brothel District in"12 records

Institutions answered newest-first by record, interleaved

“High-Ranking Courtesan” (Oiran), from the series Five Shades of Ink in the Northern Quarter (Hokkoku goshiki-zumi), by Kitagawa Utamaro, The Metropolitan Museum of Art

“High-Ranking Courtesan” (Oiran), from the series Five Shades of Ink in the Northern Quarter (Hokkoku goshiki-zumi),

Kitagawa Utamaro (d. 1806)

1794–95 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono) by Yanagawa Shigenobu 柳川重信, The Metropolitan Museum of Art

The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)

Yanagawa Shigenobu 柳川重信 (d. 1832)

1822 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo) by Ryūsai Shigeharu, The Metropolitan Museum of Art

The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo)

Ryūsai Shigeharu (d. 1853)

1828, sixth month · Wood-block print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Courtesan and her Attendant under a Cherry Tree by Utagawa Toyoharu, The Metropolitan Museum of Art

Courtesan and her Attendant under a Cherry Tree

Utagawa Toyoharu (d. 1814)

early 19th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
The Courtesan Emi of the Kyōki Brothel as Shizuka Gozen (Shizuka Kyōki Emi), from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono) by Jukōdō Yoshikuni 寿好堂よし国, The Metropolitan Museum of Art

The Courtesan Emi of the Kyōki Brothel as Shizuka Gozen (Shizuka Kyōki Emi), from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono)

Jukōdō Yoshikuni 寿好堂よし国 (d. 1840)

probably 1836 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
The Courtesan Emu of the Matsuya Brothel as a Cormorant Fisherwoman (Ukai Matsuya Emu), from the series “A Costume Parade in the Shimanouchi District” (Shimanouchi nerimono) by Shunbaisai Hokuei 春梅斎北英, The Metropolitan Museum of Art

The Courtesan Emu of the Matsuya Brothel as a Cormorant Fisherwoman (Ukai Matsuya Emu), from the series “A Costume Parade in the Shimanouchi District” (Shimanouchi nerimono)

Shunbaisai Hokuei 春梅斎北英 (d. 1837)

1836 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

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The MetSimilar
VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R. by William Ridgway & Co., The Metropolitan Museum of Art

VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Virabadra Drug as seen from near the site of the last view by Linnaeus Tripe, The Metropolitan Museum of Art

Virabadra Drug as seen from near the site of the last view

Linnaeus Tripe (d. 1902)

December 1857–January 1858 · Salted paper print from waxed paper negative

Cleared · Public Domain

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The MetSimilar
Entrance to the Gankirō Tea House in the Miyozaki District, Yokohama, Bushu by Utagawa Hiroshige II, The Metropolitan Museum of Art

Entrance to the Gankirō Tea House in the Miyozaki District, Yokohama, Bushu

Utagawa Hiroshige II (d. 1869)

3rd month, 1859 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View of the Miyozaki Brothel District in Yokohama, Kanagawa (Kanagwa Yokohama Miyozaki machi yūjoya kōkei) by Utagawa Yoshitora, The Metropolitan Museum of Art

View of the Miyozaki Brothel District in Yokohama, Kanagawa (Kanagwa Yokohama Miyozaki machi yūjoya kōkei)

Utagawa Yoshitora (d. 1880)

4th month, 1864 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa

Utagawa (Gountei) Sadahide (d. 1873)

3rd month, 1860 · Triptych of woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Heart of Financial District from New York City miniature souvenir views (W500)

Unrecorded maker

ca. 1925–30 · Commercial photolithograph

In copyright

live
The MetSimilar

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