
View of the Madrid Castle, near Paris
Jean Jacques de Boissieu (d. 1810)
1764 · Etching with drypoint; fourth state of five
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
381 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,343 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Madrid Castle, near Paris
Jean Jacques de Boissieu (d. 1810)
1764 · Etching with drypoint; fourth state of five
Cleared · Public Domain
live
Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
live
Plate 11: four street vendors from Madrid selling different kinds of fish, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
live
Plate 2: four street vendors from Madrid selling garlic and onions, cucumbers, fine crockery, oil, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
live
Plate 4: four street vendors from Madrid selling Albillas, radishes, carbon, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
live
Plate 6: four street vendors from Madrid selling navitos, muslin, fans, plants, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
live![[View of the Seine, Paris] by Gustave Le Gray, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP150952.jpg)
[View of the Seine, Paris]
Gustave Le Gray (d. 1884)
1857 · Albumen silver print from glass negative
Cleared · Public Domain
live
View of the Outskirts of Madrid
Fritz Bamberger (d. 1873)
1857 · Graphite
Cleared · Public Domain
live
The Outskirts of a Village
Edmond-François Aman-Jean (d. 1936)
ca. 1880 · Oil on panel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Outskirts
Jean-François Raffaëlli (d. 1924)
1893/1894 · Color etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[View of Town on Outskirts of Havana, Cuba, From Roof]
Walker Evans (d. 1975)
1933 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Defense of Madrid
Robert Capa (d. 1954)
1936 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.