Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    381 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,343 matching records exist across the two collections.

Results for "View of the Outskirts of Madrid"12 records

Institutions answered newest-first by record, interleaved

View of the Madrid Castle, near Paris by Jean Jacques de Boissieu, The Metropolitan Museum of Art

View of the Madrid Castle, near Paris

Jean Jacques de Boissieu (d. 1810)

1764 · Etching with drypoint; fourth state of five

Cleared · Public Domain

live
The MetSimilar
Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Plate 11: four street vendors from Madrid selling different kinds of fish, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 11: four street vendors from Madrid selling different kinds of fish, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Plate 2: four street vendors from Madrid selling garlic and onions, cucumbers, fine crockery, oil, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 2: four street vendors from Madrid selling garlic and onions, cucumbers, fine crockery, oil, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Plate 4: four street vendors from Madrid selling Albillas, radishes, carbon, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 4: four street vendors from Madrid selling Albillas, radishes, carbon, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Plate 6: four street vendors from Madrid selling navitos, muslin, fans, plants, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 6: four street vendors from Madrid selling navitos, muslin, fans, plants, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
[View of the Seine, Paris] by Gustave Le Gray, The Metropolitan Museum of Art

[View of the Seine, Paris]

Gustave Le Gray (d. 1884)

1857 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
View of the Outskirts of Madrid by Fritz Bamberger, The Metropolitan Museum of Art

View of the Outskirts of Madrid

Fritz Bamberger (d. 1873)

1857 · Graphite

Cleared · Public Domain

live
The MetSimilar
The Outskirts of a Village by Edmond-François Aman-Jean, The Metropolitan Museum of Art

The Outskirts of a Village

Edmond-François Aman-Jean (d. 1936)

ca. 1880 · Oil on panel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Outskirts

Jean-François Raffaëlli (d. 1924)

1893/1894 · Color etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[View of Town on Outskirts of Havana, Cuba, From Roof]

Walker Evans (d. 1975)

1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Defense of Madrid

Robert Capa (d. 1954)

1936 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.