
View of the "Palazzo Maggiore" on the Palatine Hill, Rome
Jan de Bisschop (d. 1671)
mid 17th century · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
410 ms. The Metropolitan Museum of Art, Collection API (Open Access)
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 537 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the "Palazzo Maggiore" on the Palatine Hill, Rome
Jan de Bisschop (d. 1671)
mid 17th century · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
View of the Ruins of the Palatine Hill
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink; brush and gray wash, over traces of red chalk, partially squared in black chalk
Cleared · Public Domain
live
Imaginary Landscape with the Palatine Hill from Campo Vaccino
François Boucher (d. 1770)
early 1730s · Oil on canvas
Cleared · Public Domain
live
View of the Palatine Hill and the Temple of Romulus
Jean Barbault (d. 1762)
1750 · Black and white chalk
Cleared · Public Domain
live
View Near Sandy Hill (No. 7 of The Hudson River Portfolio)
John Hill (d. 1850)
1822–23 · Aquatint printed in color with hand-coloring; first state of two (Koke)
Cleared · Public Domain
live
The Palatine Hill, Rome
Camille Corot (d. 1875)
1825–26 · Graphite on tan wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of ruins on the Palatine Hill, Rome
Giovanni Ambrogio Brambilla (d. 1599)
ca. 1575–90 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York from the Heights Near Brooklyn [The Wall View from Brooklyn]
John Hill (d. 1850)
1823 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York from the Heights Near Brooklyn [The Wall View from Brooklyn]
John Hill (d. 1850)
1823 · Hand-colored etching and aquatint; third state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Basilica of Constantine from the Palatine, Rome
Charles Rémond (d. 1875)
ca. 1822–25 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.