Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    406 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 236 matching records exist across the two collections.

Results for "View of the Pantheon taken from the Arse"12 records

Institutions answered newest-first by record, interleaved

Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [moved slightly during printing]

Cleared · Public Domain

live
The MetSimilar
View of Hoboken Taken from the Ferry by Nicolino Calyo, The Metropolitan Museum of Art

View of Hoboken Taken from the Ferry

Nicolino Calyo (d. 1884)

ca. 1838 · Gouache on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Panoramic View of New York Taken from the North River by Robert Havell Jr., The Metropolitan Museum of Art

Panoramic View of New York Taken from the North River

Robert Havell Jr. (d. 1878)

1840 · Hand-colored etching and aquatint; first state of two

Cleared · Public Domain

live
The MetSimilar
Panoramic View of New York Taken from the North River by Robert Havell Jr., The Metropolitan Museum of Art

Panoramic View of New York Taken from the North River

Robert Havell Jr. (d. 1878)

1844 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the Pantheon, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the Pronaos of the Pantheon, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Gate of St. Denis, taken from the Suburbs

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Louvre & Bridge of the Thuilleries, taken from Pont Neuf

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Pantheon taken from the Arsenal

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Thuilleries and Bridge, taken from the Quay d'Orsay

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Pantheon, taken from the Arsenal (Vue du Pantheon, prise de l'Arsenal)

Thomas Girtin (d. 1802)

1803 · Soft-ground etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panoramic View of New York Taken from the East River

Robert Havell Jr. (d. 1878)

1844 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.