
Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
325 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state
Cleared · Public Domain
live
The Feast of the Resurrection in Piazza Navona, Rome, 1650
Dominique Barrière (d. 1678)
ca. 1650 · Etching
Cleared · Public Domain
live![Altra Veduta della Fontana in Piazza Navona [Fontana dei Quattro Fiumi], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)" by Giovanni Battista Falda, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP273749.jpg)
Altra Veduta della Fontana in Piazza Navona [Fontana dei Quattro Fiumi], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)"
Giovanni Battista Falda (d. 1678)
1691 or after · Etching
Cleared · Public Domain
live![Fontana in Piazza Navona [Fontana dei Quattro Fiumi], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)" by Giovanni Battista Falda, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP273748.jpg)
Fontana in Piazza Navona [Fontana dei Quattro Fiumi], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)"
Giovanni Battista Falda (d. 1678)
1691 or after · Etching
Cleared · Public Domain
live![Fontana in Piazza Navona [Fontana del Moro], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)" by Giovanni Battista Falda, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP273750.jpg)
Fontana in Piazza Navona [Fontana del Moro], from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)"
Giovanni Battista Falda (d. 1678)
1691 or after · Etching
Cleared · Public Domain
live
View of the Piazza Navona, Rome, with the church of St Agnese at left and Bernini's fountain in the middle
Gomar Wouters (d. 1696)
1693 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Easter Celebration in Piazza Navona, Rome, 1589
Antonio Tempesta (d. 1630)
1603 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Festa Fatta in Roma, alli 25. di Febraio MDCXXXIV
Cardinal Guido Bentivoglio (d. 1644)
1634 · Printed book with etched plates, historiated woodcut initials, headpieces
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Piazza Navona above the ruins of the Circus Agonalis (Circus of Domitian), with S. Agnese to the left, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Piazza Navona above the ruins of the Circus Domitian (with S. Agnese to the right), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; fifth state of six (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Piazza della Rotonda (with the Pantheon in the background), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; fifth state of seven (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Piazza del Campidoglio from the Left Side of the Cordonata
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.