Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    201 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "View of the Piazza di Spagna, from "Vedu"12 records

Institutions answered newest-first by record, interleaved

Portici della piazza di S. Pietro di Roma. Plate 44 from the Album 'Basilica di S. Pietro in Vaticano' by Giovanni Battista Bonacina, The Metropolitan Museum of Art

Portici della piazza di S. Pietro di Roma. Plate 44 from the Album 'Basilica di S. Pietro in Vaticano'

Giovanni Battista Bonacina (d. 1670)

ca. 1656–67 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Lottery in Piazza di Montecitorio by Giovanni Paolo Panini, The Metropolitan Museum of Art

The Lottery in Piazza di Montecitorio

Giovanni Paolo Panini (d. 1765)

1743–1744 · Pen and black ink, watercolor, over graphite; framing lines in pen and black ink at left, right, and upper margins

Cleared · Public Domain

live
The MetSimilar
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views)

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching; first state of seven (Hind)

Cleared · Public Domain

live
The MetSimilar
View of St. Peter's Basilica and Piazza in the Vatican, from Vedute di Roma (Roman Views) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of St. Peter's Basilica and Piazza in the Vatican, from Vedute di Roma (Roman Views)

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching; fourth state of seven (Hind)

Cleared · Public Domain

live
The MetSimilar
The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma"

Giovanni Battista Piranesi (d. 1778)

ca. 1750 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Piazza di monte Cavallo, from Vedute di Roma (Roman Views) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Piazza di monte Cavallo, from Vedute di Roma (Roman Views)

Giovanni Battista Piranesi (d. 1778)

ca. 1773 · Etching; first state of four (Hind)

Cleared · Public Domain

live
The MetSimilar
Venice from the Bacino di San Marco by Francesco Guardi, The Metropolitan Museum of Art

Venice from the Bacino di San Marco

Francesco Guardi (d. 1793)

ca. 1765–75 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Piazza del Quirinale, with the statues of the Horsetamers in side view (Veduta della Piazza di Monte Cavallo), from "Vedute di Roma"

Giovanni Battista Piranesi (d. 1778)

ca. 1750 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fifth state of seven (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Piazza del Campidoglio, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Piazza della Rotonda (with the Pantheon in the background), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fifth state of seven (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Piazza di Spagna, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; sixth state of eight (Hind)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.