Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Giulio de Musi (d. 1555)
1554 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
311 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 406 matching records exist across the two collections.
Results for "View of the Port of Ripa Grande, from "V"12 records
Institutions answered newest-first by record, interleaved
View of the Port of Ripa Grande, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi (d. 1778)
ca. 1753 · Etching; first state of six (Hind)
Cleared · Public Domain
liveThe MetSimilar
VIEW FROM / PORT PUTNAM. / HUDSON. RIVER.
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Giulio de Musi (d. 1555)
1554 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Pirro Ligorio (d. 1583)
mid-16th century · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the end of the Grande Allée of the Tuileries
Adam Perelle (d. 1695)
1680 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue du Port de Ripa grande, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome
Dominico Montagu
1763 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Port of Ripa Grande, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; fourth state of six (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York, Bird's Eye View from the Battery Looking South
Parsons & Atwater (d. 1900)
1872 · Lithograph, printed in color, with some hand-coloring
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York, Bird's Eye View from the Battery, Looking South
Parsons & Atwater (d. 1900)
1872 · Colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York: Bird's Eye View from the Battery, Looking South
Lyman Wetmore Atwater (d. 1891)
1878 · Lithograph printed in color
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of The Old Port, Saint-Tropez
Pierre Bonnard (d. 1947)
1911 · Oil on canvas
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.