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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    455 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 345 matching records exist across the two collections.

Results for "View of the Port of the Ripetta (Veduta"12 records

Institutions answered newest-first by record, interleaved

The smaller harbor, called the Porto di Ripetta (Veduta del Porto di Ripetta) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The smaller harbor, called the Porto di Ripetta (Veduta del Porto di Ripetta)

Giovanni Battista Piranesi (d. 1778)

ca. 1753 · etching

Cleared · Public Domain

live
The MetSimilar
First View of the Port of Livourne by Joseph Vernet, The Metropolitan Museum of Art

First View of the Port of Livourne

Joseph Vernet (d. 1789)

ca. 1755–85 · Engraving

Cleared · Public Domain

live
The MetSimilar
Second View of the Port of Livourne by Joseph Vernet, The Metropolitan Museum of Art

Second View of the Port of Livourne

Joseph Vernet (d. 1789)

ca. 1750–1800 · Engraving

Cleared · Public Domain

live
The MetSimilar
View of the Surroundings of the Port of Toulon by Joseph Vernet, The Metropolitan Museum of Art

View of the Surroundings of the Port of Toulon

Joseph Vernet (d. 1789)

ca. 1750–1800 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Port of the Ripetta (Veduta del Porto di Ripetta)

Giovanni Battista Piranesi (d. 1778)

ca. 1753 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue du Port de Ripetta, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome

Jean Barbault (d. 1762)

1763 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Atrium of the Portico of Octavia (Veduta dell'Atrio del Portico di Ottavia)

Giovanni Battista Piranesi (d. 1778)

ca. 1760 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Port of the Ripetta, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; sixth state of eight (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of London, with the Improvements of its Port

William Daniell (d. 1837)

August 15, 1802 · Engraving and aquatint, printed in color, with hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York, Bird's Eye View from the Battery, Looking South

Parsons & Atwater (d. 1900)

1872 · Colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York: Bird's Eye View from the Battery, Looking South

Lyman Wetmore Atwater (d. 1891)

1878 · Lithograph printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of The Old Port, Saint-Tropez

Pierre Bonnard (d. 1947)

1911 · Oil on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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