
Tankard engraved with scenes of the Great Plague and the Great Fire of London
I N (d. 1699)
1675/76 · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3603 ms. The Metropolitan Museum of Art, Collection API (Open Access)
355 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 863 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tankard engraved with scenes of the Great Plague and the Great Fire of London
I N (d. 1699)
1675/76 · Silver
Cleared · Public Domain
live
View of the Ruins of the Palatine Hill
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink; brush and gray wash, over traces of red chalk, partially squared in black chalk
Cleared · Public Domain
live
Winter View of the Courtyard of a Medieval Castle in Ruins
Julius von Leypold (d. 1874)
1832 · Graphite, brush and gray ink, watercolor
Cleared · Public Domain
live
RUINS/ MERCHANTS/ EXCHANGE
Thomas Dimmock & Co. (d. 1859)
ca. 1835–59 · Earthenware, transfer-printed
Cleared · Public Domain
live
Ruins of Mrs. Henry's House, Battlefield of Bull Run
George N. Barnard (d. 1902)
March 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
VIEW/ FROM/ COENTIES-SLIP
Thomas Dimmock & Co. (d. 1859)
ca. 1828–ca. 1859 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prospects of London Before and After the Great Fire
Wenceslaus Hollar (d. 1677)
1666 · Etching; third state of five
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the tomb of Mamia in the ruins of the city of Pompeii
Francesco Piranesi (d. 1810)
1789 · Etching; second state of two (Willon)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura
Luigi Rossini (d. 1857)
1823 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Ruins after the Great Fire in New York, Dec. 16th - 17th, 1835, as seen from Exchange Place
William James Bennett (d. 1844)
1836 · Hand-colored aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Ruins after the Great Fire in New York, December 16th - 17th, 1835, as seen from Exchange Place
Nicolino Calyo (d. 1884)
1836 · Hand-colored aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Ruins of the Great Fire in New York
Eugene Sintzenich (d. 1852)
1842 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.