
View of Vienne on the Rhone
Hendrick (Cornelisz) Vroom (d. 1640)
ca. 1587–89 · Pen and brown ink; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
268 ms. The Metropolitan Museum of Art, Collection API (Open Access)
466 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 160 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of Vienne on the Rhone
Hendrick (Cornelisz) Vroom (d. 1640)
ca. 1587–89 · Pen and brown ink; framing lines in pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tombs Attributed to Piso Licinianus and the Cornelii on the Appian Way (Veduta del sepolcro di Pisone Liciniano su l'antica via Appia . . . )
Giovanni Battista Piranesi (d. 1778)
ca. 1764 · etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Tomb of Licinianus Piso on the ancient Appian Way [...] B. Tomb of the Cornelii [...], from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of Cooke's Tomb in St. Paul's Churchyard, New York
John Rubens Smith (d. 1849)
1821 · Aquatint with some engraving on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb of Washington
Robertson, Seibert & Shearman (d. 1865)
1858 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Town
Edward Alexander Wadsworth (d. 1949)
1916 · Woodcut on gray paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Housetop and Bricklayer with Bars quilt
Lucy T. Pettway (d. 2004)
ca. 1955 · Top and back: cotton and acetate
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.