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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    269 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 278 matching records exist across the two collections.

Results for "View of the West Nave, from "Recollectio"12 records

Institutions answered newest-first by record, interleaved

View of Nuremberg from the West by Hanns Lautensack, The Metropolitan Museum of Art

View of Nuremberg from the West

Hanns Lautensack (d. 1566)

1552 · Etching on three copper plates with engraved text

Cleared · Public Domain

live
The MetSimilar
View of Rome from the West, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

View of Rome from the West, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1557 · Engraving

Cleared · Public Domain

live
The MetSimilar
View of Dresden from the West by Christian Gottlob Hammer, The Metropolitan Museum of Art

View of Dresden from the West

Christian Gottlob Hammer (d. 1864)

1833 · Watercolor

Cleared · Public Domain

live
The MetSimilar
[View of West Point] by James and Ralph Clews, The Metropolitan Museum of Art

[View of West Point]

James and Ralph Clews (d. 1836)

ca. 1825–ca. 1834 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851" by John Absolon, The Metropolitan Museum of Art

View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph with gum

Cleared · Public Domain

live
The MetSimilar
[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from Olevano toward the West

Friedrich Nerly (d. 1878)

ca. 1829–35 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the East Nave; Godfrey of Bouillon, by Simonis, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the East Nave; The Amazon, by Kiss, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the West Nave, from "Recollections of the Great Exhibition, 1851"

Henry Clark Pidgeon (d. 1880)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aussicht von West Point (View from West Point, New York)

Albert Henry Payne (d. 1902)

ca. 1850 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prospect Park, View from the Reservoir Looking West

Fritz Meyer (d. 1882)

ca. 1860 · Lithograph with tint stones

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.