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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    373 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "View of the Yokohama Pleasure Quarters o"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

520–510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

490–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Beauty Playing a Shamisen by an unrecorded maker, The Metropolitan Museum of Art

Beauty Playing a Shamisen

Unrecorded maker

second quarter of the 17th century · Remounted section of a screen; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Madame Tang (Tō Fujin), from the series Fashionable Japanese Versions of the Twenty-four Paragons of Filial Piety (Fūryū Yamato Nijūshi kō) by Isoda Koryūsai, The Metropolitan Museum of Art

Madame Tang (Tō Fujin), from the series Fashionable Japanese Versions of the Twenty-four Paragons of Filial Piety (Fūryū Yamato Nijūshi kō)

Isoda Koryūsai (d. 1790)

1764–72 (Meiwa era) · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Spring Rain Collection (Harusame shū), vol. 1: Genroku-style Courtesan by Utagawa Kuninao, The Metropolitan Museum of Art

Spring Rain Collection (Harusame shū), vol. 1: Genroku-style Courtesan

Utagawa Kuninao (d. 1854)

probably 1810s · Privately published woodblock prints (surimono) mounted in an album; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Female Entertainer with Shamisen by Teisai Hokuba, The Metropolitan Museum of Art

Female Entertainer with Shamisen

Teisai Hokuba (d. 1844)

early 19th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Courtesan by a Lantern, “Fire,” from the series Five Elements for the Bunsai Poetry Group, a Guide to the Yoshiwara Pleasure Quarters by Totoya Hokkei, The Metropolitan Museum of Art

Courtesan by a Lantern, “Fire,” from the series Five Elements for the Bunsai Poetry Group, a Guide to the Yoshiwara Pleasure Quarters

Totoya Hokkei (d. 1850)

ca. 1820 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Detailed Print of Yokohama Hon-chō and the Miyozaki Pleasure Quarter by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Detailed Print of Yokohama Hon-chō and the Miyozaki Pleasure Quarter

Utagawa (Gountei) Sadahide (d. 1873)

4th month, 1860 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time

Utagawa (Gountei) Sadahide (d. 1873)

2nd month, 1860 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Foreigners Enjoying Themselves in the Gankirō by Utagawa Yoshikazu, The Metropolitan Museum of Art

Foreigners Enjoying Themselves in the Gankirō

Utagawa Yoshikazu (d. 1870)

ca. 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa

Utagawa (Gountei) Sadahide (d. 1873)

3rd month, 1860 · Triptych of woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

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