Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    279 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,129 matching records exist across the two collections.

Results for "View of the convent in Sintra"12 records

Institutions answered newest-first by record, interleaved

Close up view of the Castle of the Moors near Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

Close up view of the Castle of the Moors near Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of a bridge over the Colares river near Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of a bridge over the Colares river near Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Rio de Porto in Sintra with the Castle of the Moors in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of Rio de Porto in Sintra with the Castle of the Moors in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Sintra with the Castanheiros hills in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sintra with the Castanheiros hills in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chinecollé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Sintra with what is now the National Palace in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sintra with what is now the National Palace in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Sintra with what is now the National Palace in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sintra with what is now the National Palace in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Sintra, the area near the clock-tower by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sintra, the area near the clock-tower

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of the convent in Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of the convent in Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of the entrance to the Palacio de Seteais, Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of the entrance to the Palacio de Seteais, Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of the Quinta dos Pizões, Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of the Quinta dos Pizões, Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of the Sintra from the garden of the Comte de Povoa, National Palace in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of the Sintra from the garden of the Comte de Povoa, National Palace in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
Old Cypress Trees in Carthusian Convent, Rome by Jane Martha St. John, The Metropolitan Museum of Art

Old Cypress Trees in Carthusian Convent, Rome

Jane Martha St. John (d. 1882)

1853–56 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.