
Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19
Theodoor Galle (d. 1633)
ca. 1600 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,463 matching records exist across the two collections.
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Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19
Theodoor Galle (d. 1633)
ca. 1600 · Engraving
Cleared · Public Domain
live
Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19
Theodoor Galle (d. 1633)
ca. 1600 · Engraving
Cleared · Public Domain
live![New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5 by Theodoor Galle, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP862852.jpg)
New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5
Theodoor Galle (d. 1633)
ca. 1600 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Corpse of the King of Ai Brought to the Gate of the City, plate 10 from "The Disasters of the Jewish People"
Philips Galle (d. 1612)
1549 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Destruction of the Tower of Babel and the Dispersion of the People, plate 4 from "The Disasters of the Jewish People"
Philips Galle (d. 1612)
1549 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Magi
Philips Galle (d. 1612)
ca. 1560 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Disasters of the Jewish People
Philips Galle (d. 1612)
1569 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Idler Chased Away from the Table of Those Who Have Worked, from The Idler's Punishment, plate 4
Philips Galle (d. 1612)
ca. 1565 · Engraving, first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Idler Sleeping in the Fields and at Home, from The Idler's Punishment, plate 1
Philips Galle (d. 1612)
ca. 1565 · Engraving, first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Removal and Destruction of the Chariot and the Horses of the Sun, from "King Josiah Restores the Law of the Lord"
Philips Galle (d. 1612)
ca. 1569 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Slaughter of the Priests of Samaria, from "King Josiah Restores the Law of the Lord"
Philips Galle (d. 1612)
ca. 1569 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Angel Ascending in the Flame on the Altar of Manoah and his Wife
Theodoor Galle (d. 1633)
1633 · Engraving; first state of three
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.