
View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi (d. 1778)
ca. 1751 · Etching; first state of five (Hind)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1399 ms. The Metropolitan Museum of Art, Collection API (Open Access)
259 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,981 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi (d. 1778)
ca. 1751 · Etching; first state of five (Hind)
Cleared · Public Domain
live
View of the fountainhead and the Grotto of Egiria outside the Porta Capena, from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
1760–78 · Etching; second state of five
Cleared · Public Domain
live
Entrance to the Grotto of Posillipo, Naples
John "Warwick" Smith (d. 1831)
1778–79 · Watercolor over graphite; attached to original paper mount with gray wash line
Cleared · Public Domain
live
Entrance to the Grotto of Posillipo
Hubert Robert (d. 1808)
n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
A Grotto near Sorrento, with a Distant View of the Vesuvius
Heinrich Reinhold (d. 1825)
1823 · Graphite
Cleared · Public Domain
live
View of Amalfi from the Capuchin Monastery
Unrecorded maker
1810–40 · Gouache
Cleared · Public Domain
live
Grotto with owl, snake, and lizard
Charles-Jean Avisseau (d. 1861)
ca. 1850–1855 · Glazed earthenware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fontana dell'Acqua Felice (View of the Fountainhead of the Acqua Felice) . .
Giovanni Battista Piranesi (d. 1778)
ca. 1751 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Fountainhead of the Acqua Felice..., from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of five (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Grotto
Barthélemy Joseph Fulcran Roger (d. 1841)
1799 · Etching with stipple and line engraving; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Grotto of Posillipo, Naples
Gustaf Söderberg (d. 1875)
1820 · Oil on paper, laid down on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to the Grotto of Posillipo
Charles Rémond (d. 1875)
ca. 1822–42 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.