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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    341 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 269 matching records exist across the two collections.

Results for "View of the remains of the Praetorian Fo"12 records

Institutions answered newest-first by record, interleaved

View of the Wilderness at Kew by William Marlow, The Metropolitan Museum of Art

View of the Wilderness at Kew

William Marlow (d. 1813)

1763 · Watercolor

Cleared · Public Domain

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The MetSimilar
Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli)

Giovanni Battista Piranesi (d. 1778)

1770 · Etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the Amphitheatrum Castrense, tome 1, tavola 9, figure 2 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Remains of the Baths of Titus, tome 1, tavola 28, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Remains of the Forum of Nerva, tome 1, tavola 30, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Remains of the Peristyle of the House of Nero, tome 1, tavola 36, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Visible Remains of the Baths of Diocletian (Distant view, showing the church of S. Maria degli Angeli), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

mid-18th century · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the Forum of Nerva, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fourth state of seven (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Remains of the Forum of Nerva, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first sate of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the Praetorian Fort (the Poecile), Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from the Colosseum toward the Palatine

German Painter

1830 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

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