Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
425 ms. The Metropolitan Museum of Art, Collection API (Open Access)
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 52 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Bray's Chapel in St. George's Chapel, Windsor (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London 1672)
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
Cleared · Public Domain
live
St. George's Chapel Choir, Windsor (from Elias Ashmole's "The Order of the Garter," 1672)
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
Cleared · Public Domain
live![The City of New York, in the State of New York, North America [The Birch View with the Picnic Party] by Samuel Seymour, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP-19735-001.jpg)
The City of New York, in the State of New York, North America [The Birch View with the Picnic Party]
Samuel Seymour (d. 1850)
[1803] reissued ca. 1820 · Hand-colored engraving and etching; third state of three
Cleared · Public Domain
live
Details of Door Furniture, St. George's Chapel, Windsor and other Ornament
Anonymous, British, 19th century (d. 1900)
second half 19th century · Graphite and pen and ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir and stalls in St. George's Chapel, Windsor
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the ruins of St. George's Chapel in the City of New York, Which was destroyed by fire on the morning of the 5 of January, 1814, between 2 and 3 O'clock
John Rubens Smith (d. 1849)
ca. 1814 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of St. John's Chapel, for the New York Mirror, no. 40 (frontispiece, April 11, 1829)
Alexander Jackson Davis (d. 1892)
1829 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of St. John's Chapel, from the Park, New York (New York Mirror)
William D. Smith (d. 1880)
1829 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Roi Visite la Chapelle St. Georges (Monument de la Princesse Charlotte) / (The King's Visit to the Monument of Princess Charlotte in St. George's Chapel)
Edouard Pingret (d. 1875)
1846 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of St. George's Chapel
Joseph Nash (d. 1878)
1852 · Lithograph with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Meeting in the Cloisters of St. George's Chapel
Samuel Putnam Avery Sr. (d. 1904)
1845–66 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. George's Episcopal Church from Schenectady, New York souvenir views (W500)
Unrecorded maker
ca. 1920–30 · Commercial photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.