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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    374 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    710 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 271 matching records exist across the two collections.

Results for "View of the so-called Temple of Concord"12 records

Institutions answered newest-first by record, interleaved

A Recontruction of the So-Called Temple of Serapidis by Jan Goeree, The Metropolitan Museum of Art

A Recontruction of the So-Called Temple of Serapidis

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
View of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus

Giovanni Battista Piranesi (d. 1778)

1760–78 · Etching

Cleared · Public Domain

live
The MetSimilar
Another view of the remains of the Pronaos of the Temple of Concord (The Temple of Saturn with Arch of Septimius Severus in left background), from "Vedute di Roma" (Views of Rome), part I by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Another view of the remains of the Pronaos of the Temple of Concord (The Temple of Saturn with Arch of Septimius Severus in left background), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

Cleared · Public Domain

live
The MetSimilar
A View of the Temple of Concord Erected in the Green Park, to Celebrate the Glorious Peace of 1814, Exhibiting the Fireworks on the 1st of August by Robert Laurie, The Metropolitan Museum of Art

A View of the Temple of Concord Erected in the Green Park, to Celebrate the Glorious Peace of 1814, Exhibiting the Fireworks on the 1st of August

Robert Laurie (d. 1836)

September 9, 1814 · Etching and engraving, hand-colored (likely added later)

Cleared · Public Domain

live
The MetSimilar
Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814 by Frederick Calvert, The Metropolitan Museum of Art

Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814

Frederick Calvert (d. 1845)

1814 · Etching and aquatint with watercolor

Cleared · Public Domain

live
The MetSimilar
Columns of the Temple of Neptune at Paestum by Constantin Hansen, The Metropolitan Museum of Art

Columns of the Temple of Neptune at Paestum

Constantin Hansen (d. 1880)

1838 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The so-called Temple of Bacchus, now the Church of S. Urban (Veduta del Tempio di Bacco)

Giovanni Battista Piranesi (d. 1778)

ca. 1758 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the (so-called) Tempio della Tosse (Temple of the Cough) (Veduta interna della Tosse . . .)

Giovanni Battista Piranesi (d. 1778)

ca. 1764 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the [so-called] Tempio della Tosse (Temple of the Cough), from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of five (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The so-called Temple of Janus (Arch of Janus Quadrifrons); A So-called Arch of Argentari (or Money-changers)..., from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the so-called Temple of Concord (the Temple of Saturn with Arch of Septimius Severus in the right foreground), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

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