
View of the "Palazzo Maggiore" on the Palatine Hill, Rome
Jan de Bisschop (d. 1671)
mid 17th century · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
486 ms. The Metropolitan Museum of Art, Collection API (Open Access)
470 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 547 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the "Palazzo Maggiore" on the Palatine Hill, Rome
Jan de Bisschop (d. 1671)
mid 17th century · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome
Joseph Vernet (d. 1789)
ca. 1750 · Black chalk, pen and black ink, brush and brown and gray wash
Cleared · Public Domain
live
View on the Quirinal Hill, Rome
Simon Denis (d. 1813)
1800 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
View Near Fort Miller (No. 10 (later changed to No. 9) of The Hudson River Portfolio)
John Hill (d. 1850)
1822 · Aquatint printed in color with hand-coloring; first state of two (Koke)
Cleared · Public Domain
live
View Near Fort Montgomery (No. 22 (later changed to No. 18) of The Hudson River Portfolio)
John Hill (d. 1850)
1822 · Aquatint printed in color with hand-coloring; first state of three (Koke)
Cleared · Public Domain
live
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)
John Hill (d. 1850)
1822 · Aquatint printed in color with hand-coloring; first state of three (Koke)
Cleared · Public Domain
live![New York from Heights Near Brooklyn [The Wall View from Brooklyn] by John Hill, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP-19733-001.jpg)
New York from Heights Near Brooklyn [The Wall View from Brooklyn]
John Hill (d. 1850)
1823 · Hand-colored etching and aquatint
Cleared · Public Domain
live
View Near Sandy Hill (No. 7 of The Hudson River Portfolio)
John Hill (d. 1850)
1822–23 · Aquatint printed in color with hand-coloring; first state of two (Koke)
Cleared · Public Domain
live
View Near Fishkill (No. 17 of The Hudson River Portfolio)
John Hill (d. 1850)
1823–24 · Aquatint printed in color with hand-coloring; first state of two or three (Koke)
Cleared · Public Domain
live
View from My Work Room Window in Hammond Street, New York City
John Hill (d. 1850)
ca. 1826–30 · Watercolor, pen and black ink, and graphite on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of ruins on the Palatine Hill, Rome
Giovanni Ambrogio Brambilla (d. 1599)
ca. 1575–90 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Aventine Hill, Rome
Romain-Étienne-Gabriel Prieur (d. 1879)
1879 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.