
View of Vienne on the Rhone
Hendrick (Cornelisz) Vroom (d. 1640)
ca. 1587–89 · Pen and brown ink; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1820 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,649 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of Vienne on the Rhone
Hendrick (Cornelisz) Vroom (d. 1640)
ca. 1587–89 · Pen and brown ink; framing lines in pen and brown ink
Cleared · Public Domain
live
In the Housatonic Valley
Homer Dodge Martin (d. 1897)
late 1850s · Painting, oil on canvas
Cleared · CC0
live
View on the Quirinal Hill, Rome
Simon Denis (d. 1813)
1800 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
Approaching Storm, View on the Thames
David Lucas (d. 1881)
1829 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
View on the South Downs
John Martin (d. 1854)
1840–49 · Watercolor with reductive techniques
Cleared · Public Domain
live
View on the coast at Deal
Charles Bentley (d. 1854)
ca. 1846 · Watercolor with touches of gouache (bodycolor) over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the River Stour
David Lucas (d. 1881)
1830 · Mezzotint; progress proof [on chine collé?]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the River Stour
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the River Stour
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the River Stour
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Housatonic
Charles Herbert Moore (d. 1930)
1867 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Hudson
Frances Flora Bond Palmer (d. 1876)
1857–71 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.