
Terracotta fragment of a kylix (drinking cup)
Unrecorded maker
520–510 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
650 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 113 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup)
Unrecorded maker
520–510 BCE · Terracotta
Cleared · Public Domain
live
Plan and view of the city of Arras
Stefano della Bella (d. 1664)
1641 · Etching
Cleared · Public Domain
live
View of the Wilderness at Kew
William Marlow (d. 1813)
1763 · Watercolor
Cleared · Public Domain
live
Back View of a Roman Servant Boy
François André Vincent (d. 1816)
1771–75 · Black chalk
Cleared · Public Domain
live
View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc.
Robert Charles Dudley (d. 1909)
1865–66 · Watercolor with touches of gouache (bodycolor)
Cleared · Public Domain
live
View, Looking Aft, from the Port Paddle Box of the Great Eastern, Showing the Trough for the Cable, etc.
Robert Charles Dudley (d. 1909)
1865–66 · Watercolor over graphite with touches of gouache (bodycolor)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View showing a part of the foundations of the Theater of Marcellus, tome 4, tavola 32 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Close-Up of the Vault
Giacomo Sangermano (d. 1773)
ca. 1773 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for the number 'O Leo' in "At Home Abroad"
Vincente Minnelli (d. 1986)
1935 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.