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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    650 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 113 matching records exist across the two collections.

Results for "View showing a part of the foundations o"11 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

520–510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Plan and view of the city of Arras by Stefano della Bella, The Metropolitan Museum of Art

Plan and view of the city of Arras

Stefano della Bella (d. 1664)

1641 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Wilderness at Kew by William Marlow, The Metropolitan Museum of Art

View of the Wilderness at Kew

William Marlow (d. 1813)

1763 · Watercolor

Cleared · Public Domain

live
The MetSimilar
Back View of a Roman Servant Boy by François André Vincent, The Metropolitan Museum of Art

Back View of a Roman Servant Boy

François André Vincent (d. 1816)

1771–75 · Black chalk

Cleared · Public Domain

live
The MetSimilar
View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc. by Robert Charles Dudley, The Metropolitan Museum of Art

View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc.

Robert Charles Dudley (d. 1909)

1865–66 · Watercolor with touches of gouache (bodycolor)

Cleared · Public Domain

live
The MetSimilar
View, Looking Aft, from the Port Paddle Box of the Great Eastern, Showing the Trough for the Cable, etc. by Robert Charles Dudley, The Metropolitan Museum of Art

View, Looking Aft, from the Port Paddle Box of the Great Eastern, Showing the Trough for the Cable, etc.

Robert Charles Dudley (d. 1909)

1865–66 · Watercolor over graphite with touches of gouache (bodycolor)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View showing a part of the foundations of the Theater of Marcellus, tome 4, tavola 32 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Close-Up of the Vault

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Theatrical costume for the number 'O Leo' in "At Home Abroad"

Vincente Minnelli (d. 1986)

1935 · Watercolor over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.