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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    556 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    473 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,062 matching records exist across the two collections.

Results for "Views: The Portico with the Lantern"12 records

Institutions answered newest-first by record, interleaved

Earthenware Lantern by an unrecorded maker, The Metropolitan Museum of Art

Earthenware Lantern

Unrecorded maker

9th–10th century · Earthenware; slip covered, unglazed

Cleared · Public Domain

live
The MetSimilar
Views: The Portico with the Lantern by Antonio Canaletto, The Cleveland Museum of Art

Views: The Portico with the Lantern

Antonio Canaletto (d. 1768)

1735–1746 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lantern by an unrecorded maker, The Metropolitan Museum of Art

Lantern

Unrecorded maker

9th–10th century · Earthenware; slip-covered, carved and incised decoration; unglazed

Cleared · Public Domain

live
The MetSimilar
Lantern clock by an unrecorded maker, The Metropolitan Museum of Art

Lantern clock

Unrecorded maker

ca. 1685 · Brass

Cleared · Public Domain

live
The MetSimilar
The Magic Lantern by Anne Claude Philippe de Tubières, comte de Caylus, The Metropolitan Museum of Art

The Magic Lantern

Anne Claude Philippe de Tubières, comte de Caylus (d. 1765)

1737 · Etching with some engraving

Cleared · Public Domain

live
The MetSimilar
Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi (d. 1778)

1760 · Etching

Cleared · Public Domain

live
The MetSimilar
The Magic Lantern by Auguste Edouart, The Metropolitan Museum of Art

The Magic Lantern

Auguste Edouart (d. 1861)

ca. 1835 · Cut paper and wash

Cleared · Public Domain

live
The MetSimilar
Lantern by Genemon, The Metropolitan Museum of Art

Lantern

Genemon

1850 · Porcelain decorated with enamels, and the glaze craquelé (Hizen ware, Kutani type)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lantern

H. Van Buren Magonigle (d. 1935)

1915 · Iron, glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lantern

H. Van Buren Magonigle (d. 1935)

1915 · Iron, glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hanging lantern

Lucia Kleinhans Mathews (d. 1870)

1906–20 · Painted

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portico over Plymouth Rock from Plymouth, Mass. miniature souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial color photolithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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