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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    195 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    660 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 103 matching records exist across the two collections.

Results for "Views of Eaton Hall in Cheshire"12 records

Institutions answered newest-first by record, interleaved

From Eaton by Philippe Jacques de Loutherbourg, The Metropolitan Museum of Art

From Eaton

Philippe Jacques de Loutherbourg (d. 1812)

December 8, 1776 · Etching; third state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dr. Syntax Visits Eaton Hall, Cheshire

Thomas Rowlandson (d. 1827)

March 1, 1820 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of Eaton Hall in Cheshire

John Chessell Buckler (d. 1894)

1826 · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Henry Stacy Marks, from "The Portfolio"

Benjamin Damman (d. 1921)

May 1880 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion for Three Upper Windows in Large Hall for Residence of Mr. T. Eaton, Toronto, Canada"

Louis C. Tiffany (d. 1933)

ca. 1904–11 · Transparent and opaque watercolor on paper and collage of translucent paper and gelatin silver print, mounted on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Belfast. The City Hall from British Isles souvenir views (W500)

Unrecorded maker

ca. 1915–20 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Carpenters' Hall from Philadelphia, Pennsylvania souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

City Hall and Plaza from Philadelphia, Pennsylvania souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Congress Hall from Philadelphia, Pennsylvania souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

D.A.R. Hall, Memorial Continental Hall from Washington, D.C. souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Independence Hall from Philadelphia, Pennsylvania souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pilgrim Hall from Plymouth, Mass. miniature souvenir views (W500)

Unrecorded maker

ca. 1930–40 · Commercial color photolithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.