
From Eaton
Philippe Jacques de Loutherbourg (d. 1812)
December 8, 1776 · Etching; third state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
195 ms. The Metropolitan Museum of Art, Collection API (Open Access)
660 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 103 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

From Eaton
Philippe Jacques de Loutherbourg (d. 1812)
December 8, 1776 · Etching; third state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dr. Syntax Visits Eaton Hall, Cheshire
Thomas Rowlandson (d. 1827)
March 1, 1820 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of Eaton Hall in Cheshire
John Chessell Buckler (d. 1894)
1826 · Illustrations: lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Henry Stacy Marks, from "The Portfolio"
Benjamin Damman (d. 1921)
May 1880 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Suggestion for Three Upper Windows in Large Hall for Residence of Mr. T. Eaton, Toronto, Canada"
Louis C. Tiffany (d. 1933)
ca. 1904–11 · Transparent and opaque watercolor on paper and collage of translucent paper and gelatin silver print, mounted on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Belfast. The City Hall from British Isles souvenir views (W500)
Unrecorded maker
ca. 1915–20 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Carpenters' Hall from Philadelphia, Pennsylvania souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
City Hall and Plaza from Philadelphia, Pennsylvania souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Congress Hall from Philadelphia, Pennsylvania souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D.A.R. Hall, Memorial Continental Hall from Washington, D.C. souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Independence Hall from Philadelphia, Pennsylvania souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pilgrim Hall from Plymouth, Mass. miniature souvenir views (W500)
Unrecorded maker
ca. 1930–40 · Commercial color photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.