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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    284 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,250 matching records exist across the two collections.

Results for "Views of Philadelphia, No. 1"11 records

Institutions answered newest-first by record, interleaved

Three Views, No. 1: Mount Washington from Shelburn, New Hampshire by John William Hill, The Metropolitan Museum of Art

Three Views, No. 1: Mount Washington from Shelburn, New Hampshire

John William Hill (d. 1879)

1879 · Watercolor and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

United Colonies Continental Currency – Seven Dollars

Hall and Sellers, Philadelphia, Pennsylvania (d. 1772)

November 29, 1775 · Engraving, letterpress, and nature printing

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of Philadelphia, No. 1

Cephas Grier Childs (d. 1871)

1827 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of Philadelphia, No. 11

Cephas Grier Childs (d. 1871)

1827 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Street Views No. 1 – Park Row, New York

William D. Smith (d. 1880)

1830 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 1 to No. 65

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stereoscopic Views of Syracuse and Vicinity, The Syracuse and Chenango Valley Railroad, Engine No. 1

John Austen

ca. 1868 · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

No. 1: Six Views in Cork

Newman & Co. (d. 1900)

19th century · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Greenwich Park No.1

Joseph Pennell (d. 1926)

1906 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of the Artist in a Hat, No. 1

Sir Muirhead Bone (d. 1953)

1908 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bermuda No. 1, Tree and House

Charles Demuth (d. 1935)

1917 · Watercolor and graphite with cut paper on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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