
COMMODORE MACDONNOUGHS/ VICTORY
Enoch Wood & Sons (d. 1846)
ca. 1818–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
264 ms. The Metropolitan Museum of Art, Collection API (Open Access)
255 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 488 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

COMMODORE MACDONNOUGHS/ VICTORY
Enoch Wood & Sons (d. 1846)
ca. 1818–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pavilion in the Pheasantry at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seat of War in the Environs of Philadelphia, from the London Magazine
Thomas Kitchin (d. 1784)
December 1777 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atlas til Friherre Klinckowströms Bref om de Förente Staterne (Atlas to accompany Baron Klinckowström's Letters Written on a Journey to the United States, 1818–20)
Axel Klinckowström (d. 1837)
1824 · Etching, aquatint, engraving, lithograph, letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of Philadelphia, No. 1
Cephas Grier Childs (d. 1871)
1827 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of Philadelphia, No. 11
Cephas Grier Childs (d. 1871)
1827 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Upper Ferry Bridge / over the / River Schuylkill
Joseph Stubbs (d. 1836)
ca. 1822–ca. 1836 · Earthenware, transfer-printed
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 1 to No. 65
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Stairs in Water Street, from "Harper's Weekly"
Joseph Pennell (d. 1926)
October 28, 1882 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The East Prospect of the City of Philadelphia, in the Province of Pennsylvania
Anonymous, British, 18th century (d. 1800)
after 1761 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Philadelphia from League Island
Joseph Pennell (d. 1926)
1920 · Etching and drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.