
The Temple of Fortune in Rome, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
16th century · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
207 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 475 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Temple of Fortune in Rome, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
16th century · Engraving
Cleared · Public Domain
live
The Temple of the Sibyl at Tivoli, from "Landscapes and Ruins"
Jan van de Velde II (d. 1641)
ca. 1615 · Etching
Cleared · Public Domain
live
View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi (d. 1778)
ca. 1761 · Etching; first state of five (Hind)
Cleared · Public Domain
live
The Cumaean Sibyl (after Michelangelo)
Jean Robert Ango (d. 1773)
1767 · Red chalk
Cleared · Public Domain
live
Ancient Temple – now a Church, at Rome
Richard Cooper II (d. 1822)
1774–75 · Counterproof of an iron gall ink drawing, with graphite
Cleared · Public Domain
live
Temple of Mars Ultor, Rome
James Holland (d. 1870)
1840–45 · Watercolor over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temple of Sibyl at Tivoli
Jan van de Velde II (d. 1641)
1615 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alternate View of the Temple of the Sibyl at Tivoli, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Another view of the Temple of the Sibyl in Tivoli, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Temple of the Sibyl at Tivoli, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of five (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Earl of Tilney's House at Wanstead (from Six Pleasing Views, In and About London, With Outlines for Drawing After)
T. Stayner (d. 1850)
1794 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Earl of Tilney's House at Wanstead (from Six Pleasing Views, In and About London, With Outlines for Drawing After)
T. Stayner (d. 1850)
1794 · Etching and engraving
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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