Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
385 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,158 matching records exist across the two collections.
Results for "Views of Rome: The Pantheon"12 records
Institutions answered newest-first by record, interleaved
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (d. 1768)
c. 1750–55 · Drawing, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving [moved slightly during printing]
Cleared · Public Domain
liveThe MetSimilar
Views of Rome: The Pantheon
Giovanni Battista Piranesi (d. 1778)
1761 · Print, etching and engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving; copy, second state of three (Robert-Dumesnil)
Cleared · Public Domain
liveThe MetSimilar
Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column
Antonio Tempesta (d. 1630)
1645 · Etching with some engraving, undescribed state.
Cleared · Public Domain
liveThe MetSimilar
The Pantheon, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
1649 · Engraving; second state of two (Robert-Dumesnil)
Cleared · Public Domain
liveThe MetSimilar
View of the Pantheon, Rome
Lievin Cruyl (d. 1720)
early 1670s · Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum.
Cleared · Public Domain
liveThe MetSimilar
Ancient Rome
Giovanni Paolo Panini (d. 1765)
1757 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome
Horace Vernet (d. 1863)
1833 · Lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe du Pantheon aujourd'huy appelé la Rotonde, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.