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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    82 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    15 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 90 matching records exist across the two collections.

Results for "Views of Venice: The Gates of the Arsen"9 records

Institutions answered newest-first by record, interleaved

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia) by Luca Carlevaris, The Metropolitan Museum of Art

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Luca Carlevaris (d. 1730)

1703 · Etching

Cleared · Public Domain

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The MetSimilar
Plate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus) by Michele Marieschi, The Metropolitan Museum of Art

Plate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)

Michele Marieschi (d. 1743)

1741 · Etching; second state of four (Succi)

Cleared · Public Domain

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The MetSimilar
The Island of San Michele, Venice by Francesco Guardi, The Metropolitan Museum of Art

The Island of San Michele, Venice

Francesco Guardi (d. 1793)

1770s · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Venice: The Rialto by Francesco Guardi, The Metropolitan Museum of Art

Venice: The Rialto

Francesco Guardi (d. 1793)

1793 · Oil on wood

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dogana, Venice

Sir Muirhead Bone (d. 1953)

1913 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venice, Afternoon, from ¦Venetian Views¦

Howard Hodgkin (d. 2017)

1995 · Carborundum relief print with arcrylic paint (hand coloring)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venice, Evening, from ¦Venetian Views¦

Howard Hodgkin (d. 2017)

1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on sixteen sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venice, Morning, from ¦Venetian Views¦

Howard Hodgkin (d. 2017)

1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on sixteen sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venice, Night, from ¦Venetian Views¦

Howard Hodgkin (d. 2017)

1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on two sheets of paper

In copyright

live
The MetSimilar

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