Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
391 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XLIV, Page 303, from "Orlando Furioso"
Isidore Stanislas Henri Helman (d. 1809)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XLIV, Page 303, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Isidore Stanislas Henri Helman (d. 1809)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXVII, Page 123, from "Orlando Furioso"
Antoine Jean Duclos (d. 1795)
1773–74 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXVII, Page 123, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Antoine Jean Duclos (d. 1795)
1773–74 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXVIII, Page 171, from "Orlando Furioso"
Pietro Antonio Martini (d. 1797)
1773–74 · Etching and engraving; third state of seven (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini (d. 1797)
1773–74 · Etching and engraving; third state of seven (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXXVII, Page 31, from "Orlando Furioso"
Jean Michel Moreau le Jeune (d. 1814)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXXVII, Page 31, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Jean Michel Moreau le Jeune (d. 1814)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.