Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1820 ms. The Metropolitan Museum of Art, Collection API (Open Access)
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. VI, Fable IV, 2.e vol., page 207), depicting Apollo Flaying Marsyas, from "Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi"
Jean Massard (d. 1822)
ca. 1765 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."
N. Thomas (d. 1812)
1805 · Etching and engraving; second state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."
N. Thomas (d. 1812)
1805 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. IV, page 154. 2.e vol.) depicting Ino's Leap, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Abraham Pietersz Hulk (d. 1830)
1806 · Etching and engraving; third state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. III, page 12. 2.e vol.) depicting Echion, by the order of Minerva, reclaiming the faith of his brothers, from "Les Metamorphoses d'Ovide..."
Robert de Launay (d. 1814)
1806–22 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. III, page 12. 2.e vol.) depicting Echion, having sprung up from the dragon's teeth sown by Cadmus, reclaiming the faith of his brothers by the order of Minerva, from "Les Metamorphoses d'Ovide..."
Robert de Launay (d. 1814)
1806–22 · Etching and engraving; second state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. IV, page 154. 2.e vol.) depicting Ino's Leap, from "Les Metamorphoses d'Ovide..."
Abraham Pietersz Hulk (d. 1830)
1806–22 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. IV, page 384, 2.e vol.) depicting Orithyia Raped by Boreas, from "Les Metamorphoses d'Ovide..."
Louis François Mariage (d. 1828)
1806–22 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 268. 2.e vol.) depicting Ceres Drinking from a Saucer in a Shed, from "Les Metamorphoses d'Ovide..."
Jean Dambrun (d. 1808)
1806–22 · Etching and engraving; third state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 268. 2.e vol.) depicting Ceres Drinking from a Saucer in a Shed, from "Les Metamorphoses d'Ovide..."
Jean Dambrun (d. 1808)
1806–22 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 284. 2.e vol.) depicting Ceres Turning Lyncus into a Lynx, from "Les Metamorphoses d'Ovide..."
Robert de Launay (d. 1814)
1806–22 · Etching and engraving; fourth state of five (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.