The Companions of Rinaldo
Nicolas Poussin (d. 1665)
ca. 1633 · Oil on canvas
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
342 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
337 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 32 matching records exist across the two collections.
Results for "Vignette Illustrating Torquato Tasso's ""12 records
Institutions answered newest-first by record, interleaved
Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78)
Giovanni Battista Piazzetta (d. 1754)
1745 · Red chalk over traces of graphite
Cleared · Public Domain
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Rinaldo in the Enchanted Forest
Jean Honoré Fragonard (d. 1806)
ca. 1763 · Brush and brown wash over very light black chalk underdrawing
Cleared · Public Domain
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Rinaldo rescued from Armida
Benjamin West (d. 1820)
1766–1800 · Graphite
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 13: Illustration for Canto XIII, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 14: Illustration for Canto XIV, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 15: Illustration for Canto XV, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 16: Illustration for Canto XVI, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3: Illustration to Canto III, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: Illustration to Canto IV, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: Illustration to Canto V, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9: Illustration to Canto IX, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta (d. 1630)
ca. 1590–1630 · Etching
In copyright
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