Silver-gilt bowl
Unrecorded maker
ca. 710–675 BCE · Gold-plated silver
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
205 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 45 matching records exist across the two collections.
Results for "Vignette of Grazing Horse and Fisherman"12 records
Institutions answered newest-first by record, interleaved
Joys of the Fisherman
Wang Fu (d. 1416)
ca. 1410 · Handscroll; ink on paper
Cleared · Public Domain
liveThe MetSimilar
Horse and willow tree
Unidentified artist
early 15th century(?) · Album leaf; ink and color on silk
Cleared · Public Domain
liveThe MetSimilar
Plate 11: the pyramid of Caius Cestius, a horse grazing, a foal suckling a mare, a seated shepherd and another standing, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1643–48 · Etching
Cleared · Public Domain
liveThe MetSimilar
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Canto XV, Stanza LIX, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Nicolas de Launay (d. 1792)
1773 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Canto XLII, Stanza LXIV, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Nicolas de Launay (d. 1792)
1774 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Canto XXXI, Stanza LXX, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Nicolas de Launay (d. 1792)
1774 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XLIV, Page 303, from "Orlando Furioso"
Isidore Stanislas Henri Helman (d. 1809)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette of Grazing Horse and Fisherman
Thomas Bewick (d. 1828)
n.d. · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grazing Horse
Xu Beihong (d. 1953)
dated 1932 · Hanging scroll; ink on bark paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horse Group, Grazing
Arthur George Murphy (d. 1991)
1935–43 · Lithograph
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.