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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    95 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 112 matching records exist across the two collections.

Results for "Vignette on page 139 of Volume IV, from"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume I, Canto III, Page 55, from "Orlando Furioso"

Nicolas de Launay (d. 1792)

1771 · Etching and engraving; fourth state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume II, Canto XVII, Page 145, from "Orlando Furioso"

Nicolas de Launay (d. 1792)

1773 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume II, Canto XVIII, Page 191, from "Orlando Furioso"

Nicolas de Launay (d. 1792)

1773–74 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume IV, Canto XLIV, Page 303, from "Orlando Furioso"

Isidore Stanislas Henri Helman (d. 1809)

1774 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume IV, Canto XXVII, Page 123, from "Orlando Furioso"

Antoine Jean Duclos (d. 1795)

1773–74 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume IV, Canto XXVIII, Page 171, from "Orlando Furioso"

Pietro Antonio Martini (d. 1797)

1773–74 · Etching and engraving; third state of seven (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume IV, Canto XXXVII, Page 31, from "Orlando Furioso"

Jean Michel Moreau le Jeune (d. 1814)

1774 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette on page 139 of Volume IV, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.

Nicolas de Launay (d. 1792)

1778 · Etching and engraving; third state of four (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette on page 110 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau

Jean-Baptiste-Michel Dupréel (d. 1817)

ca. 1800 · Etching and engraving; fifth state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette on page 185 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau

Jean-Louis Delignon (d. 1804)

ca. 1800 · Etching and engraving; fifth state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette on page 303 of Volume V, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau

Thomas (d. 1860)

ca. 1800 · Etching and engraving; after fifth state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette on page 55 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau

Jean-Baptiste-Michel Dupréel (d. 1817)

ca. 1800 · Etching and engraving; fifth state of five (Bocher)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.