Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1850 ms. The Metropolitan Museum of Art, Collection API (Open Access)
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 115 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 [...], Paris, 1768 by Chappe d'Auteroche by Augustin de Saint-Aubin, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP828998.jpg)
Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 [...], Paris, 1768 by Chappe d'Auteroche
Augustin de Saint-Aubin (d. 1807)
1767 · Etching; first state of three (Bocher)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume I, Canto III, Page 55, from "Orlando Furioso"
Nicolas de Launay (d. 1792)
1771 · Etching and engraving; fourth state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume II, Canto XVII, Page 145, from "Orlando Furioso"
Nicolas de Launay (d. 1792)
1773 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume II, Canto XVIII, Page 191, from "Orlando Furioso"
Nicolas de Launay (d. 1792)
1773–74 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XLIV, Page 303, from "Orlando Furioso"
Isidore Stanislas Henri Helman (d. 1809)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXVII, Page 123, from "Orlando Furioso"
Antoine Jean Duclos (d. 1795)
1773–74 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, Volume IV, Canto XXXVII, Page 31, from "Orlando Furioso"
Jean Michel Moreau le Jeune (d. 1814)
1774 · Etching and engraving; third state of six (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette on page 165 of Volume III, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.
Robert de Launay (d. 1814)
1778 · Etching and engraving; third state of three (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette on page 110 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau
Jean-Baptiste-Michel Dupréel (d. 1817)
ca. 1800 · Etching and engraving; fifth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette on page 185 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau
Jean-Louis Delignon (d. 1804)
ca. 1800 · Etching and engraving; fifth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette on page 303 of Volume V, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau
Thomas (d. 1860)
ca. 1800 · Etching and engraving; after fifth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette on page 55 of Volume VII, from Nouvelle Hèloise, Suite Dupréel of Oeuvres de J.J. Rousseau
Jean-Baptiste-Michel Dupréel (d. 1817)
ca. 1800 · Etching and engraving; fifth state of five (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.