Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    849 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    493 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 61 matching records exist across the two collections.

Results for "Village after an Indian attack in "The P"12 records

Institutions answered newest-first by record, interleaved

Wentke by an unrecorded maker, The Metropolitan Museum of Art

Wentke

Unrecorded maker

mid-18th century · cotton, linen

Cleared · Public Domain

live
The MetSimilar
Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America] by Matthias Christian Sprengel, The Metropolitan Museum of Art

Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America]

Matthias Christian Sprengel (d. 1803)

1784–87 · Illustrations: etching and engraving, some hand-colored; pen and ink and wash drawings

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Picturesque Views/ Nr Fort Miller/ Hudson River by James and Ralph Clews, The Metropolitan Museum of Art

Picturesque Views/ Nr Fort Miller/ Hudson River

James and Ralph Clews (d. 1836)

ca. 1822–ca. 1834 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Dress by an unrecorded maker, The Metropolitan Museum of Art

Dress

Unrecorded maker

18th–19th century · cotton

Cleared · Public Domain

live
The MetSimilar
Dress by an unrecorded maker, The Metropolitan Museum of Art

Dress

Unrecorded maker

18th century–19th century · cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Samuel John Carter (d. 1892)

1871–75 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vaux #2, After Attack

Edward J. Steichen (d. 1973)

1918 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Village after an Indian attack in "The Pony Express" from Western Stars or Scenes Exhibit Cards series (W412)

Unrecorded maker

ca. 1925 · Commercial color photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pueblo Aymara (village in the high Andes, Bolivia)

Alejandro Mario Yllanes (d. 1960)

ca. 1940 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.