
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century (d. 1800)
1779 · Opaque watercolor on parchment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
859 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,677 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century (d. 1800)
1779 · Opaque watercolor on parchment
Cleared · Public Domain
live
Virgil's Tomb by Moonlight, with Silius Italicus Declaiming
Joseph Wright (Wright of Derby) (d. 1797)
1779 · Oil on canvas
Cleared · Public Domain
live
View of the Bay of Naples with Mount Vesuvius
Franz Ludwig Catel (d. 1856)
ca. 1820–1822 · Graphite, watercolor
Cleared · Public Domain
live
Caswell Bay with Proldie Point
James Knight
1853–56 · Salted paper print
Cleared · Public Domain
live
Bay of Naples–A Land of Smouldering Fire
Alfred William Hunt (d. 1896)
1871 · Watercolor with touches of gouache (bodycolor) over graphite
Cleared · Public Domain
live
View of a Bay and Mountains
Franz von Hauslab the Younger (d. 1883)
19th century · Pencil on two sheet of wove paper pasted together. Squared in pencil.
Cleared · Public Domain
live
Virgil's Tomb with a View of the Bay of Naples in the Moonlight
Carl Georg Anton Graeb (d. 1884)
1860–84 · Graphite, white gouache, and pen and brown ink (?)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Virgil's Tomb, Naples
Franz Ludwig Catel (d. 1856)
ca. 1818 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Korwar (ancestor figure)
Cenderawasih Bay artist
late 19th–early 20th century · Wood, paint, glass beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Korwar (ancestor figure)
Cenderawasih Bay artist
late 19th–early 20th century · Wood, paint, glass beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Korwar (charm and stopper)
Cenderawasih Bay artist
late 19th–early 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Korwar (charm and stopper)
Cenderawasih Bay artist
late 19th–early 20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.