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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    336 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    252 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,276 matching records exist across the two collections.

Results for "Virgin and Child: for "Vengeance of the"11 records

Institutions answered newest-first by record, interleaved

Cameo of the Virgin and Child by Adrien Jean Maximilien Vachette, The Metropolitan Museum of Art

Cameo of the Virgin and Child

Adrien Jean Maximilien Vachette (d. 1839)

ca. 1050–1100 (cameo); ca. 1800 (frame) · Agate cameo, gold frame

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1250 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Enthroned Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Enthroned Virgin and Child

Unrecorded maker

ca. 1260–80 · Elephant ivory with traces of paint and gilding

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1340–50 · Limestone with original paint, gilding, and glass

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1350 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1400–1425 · Limestone with traces of paint

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Antonio Rossellino, The Metropolitan Museum of Art

Virgin and Child

Antonio Rossellino (d. 1479)

model ca. 1475 (cast 19th century) · Copper alloy with gilding; the reverse is hollow; pierced at the top.

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Dieric Bouts, The Metropolitan Museum of Art

Virgin and Child

Dieric Bouts (d. 1475)

1475–99 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Netherlandish (Antwerp?), The Metropolitan Museum of Art

Virgin and Child

Netherlandish (Antwerp?) (d. 1549)

second quarter of the 16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Master of the Female Half-Lengths, The Metropolitan Museum of Art

Virgin and Child

Master of the Female Half-Lengths (d. 1550)

ca. 1525–50 · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Virgin and Child: for "Vengeance of the Female" (Bradley: His Book)

William Henry Bradley (d. 1962)

July 1896 · Black ink and white gouache

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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