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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Virgin and Child in a Landscape"8 records

Institutions answered newest-first by record, interleaved

Virgin and Child in a Landscape by Jan Gossaert, The Cleveland Museum of Art

Virgin and Child in a Landscape

Jan Gossaert (d. 1532)

1531 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Virgin and Child Enthroned by Battista di Biagio Sanguigni, The Cleveland Museum of Art

Virgin and Child Enthroned

Battista di Biagio Sanguigni (d. 1451)

1419 · Painting, tempera and gold on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Virgin and Child by Leonardo da Vinci, The Cleveland Museum of Art

Virgin and Child

Leonardo da Vinci (d. 1519)

c. 1500 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Virgin and Child Seated in a Landscape by Master N. S., The Cleveland Museum of Art

Virgin and Child Seated in a Landscape

Master N. S. (d. 1569)

c. 1520–69 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Augustus and the Tiburtine Sibyl by Marco Angolo del Moro, The Cleveland Museum of Art

Augustus and the Tiburtine Sibyl

Marco Angolo del Moro (d. 1586)

1570s · Print, Etching with engraving on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Nativity (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: The Nativity (recto) and Text (verso)

Unrecorded maker

c. 1430 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Nativity (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: The Nativity (recto)

Unrecorded maker

c. 1430 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text (verso)

Unrecorded maker

c. 1430 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.