Nose ornament in the shape of a head
Unrecorded maker
500-800 CE · Gold (partially silvered), silver
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
460 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Results for "Visit of the Nursemaid, plate 6 from "Ma"11 records
Institutions answered newest-first by record, interleaved
Seated goddess holding flowers (Flora?)
Unrecorded maker
1550–75 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Visit of the Nursemaid, plate 6 from "Marriage in the City" (Le Mariage à la Ville)
Abraham Bosse (d. 1676)
1633 · Etching
Cleared · Public Domain
liveThe MetSimilar
Automaton clock in the form of an eagle
Unrecorded maker
ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron
Cleared · Public Domain
liveThe MetSimilar
Paolo Giordano II Orsini, Duke of Bracciano
Johann Jakob Kornmann (called Cormano) (d. 1700)
ca. 1632 · Bronze, partially silvered
Cleared · Public Domain
liveThe MetSimilar
Table
Pierre Gole (d. 1684)
ca. 1660 · Oak and fruitwood veneered with tortoiseshell, stained and natural ivory, ebony, and other woods; gilt bronze
Cleared · Public Domain
liveThe MetSimilar
Pair-case watch
Daniel Delander (d. 1733)
ca. 1715–19 · Outer case, inner case, and champlevé dial: silver and blued steel hands; Movement: gilded brass, steel, and diamond endstone
Cleared · Public Domain
liveThe MetSimilar
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850
Felix Octavius Carr Darley (d. 1888)
1849–50 · Lithographs (called etching on stone)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frescoes by celebrated Italian artists from the XIV and XV centuries (Affreschi celebri del XIV e XV secolo)
Carlo Lasinio (d. 1838)
1817–1838 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)
Edouard Pingret (d. 1875)
1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.