
Christ in Limbo (reverse copy)
Bundele
n.d. · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
579 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 634 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Christ in Limbo (reverse copy)
Bundele
n.d. · Engraving
Cleared · Public Domain
live
Two young satyrs and a boy (copy in reverse)
Wenceslaus Hollar (d. 1677)
1647 · Etching and engraving
Cleared · Public Domain
live
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
ca. 1625–80 · Etching
Cleared · Public Domain
live
Paedopaegnion: Third Title Page (copy in reverse)
Wenceslaus Hollar (d. 1677)
after 1651 · Etching
Cleared · Public Domain
live
The Adoration of the Magi (copy in reverse)
Carlo Maratti (d. 1713)
17th century · Etching; reverse copy (Bellini)
Cleared · Public Domain
live
Six Boys (copy in reverse)
Wenceslaus Hollar (d. 1677)
17th century (?) · Etching
Cleared · Public Domain
live
Three Peasants in Conversation (reverse copy)
Albrecht Dürer (d. 1528)
n.d. · Engraving
Cleared · Public Domain
live
Visitation (copy in reverse)
Joseph Wagner (d. 1780)
1780 · Engraving; reverse copy
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Matthew and St. John (copy in reverse)
Sebald Beham (d. 1550)
1560 · Engraving; reverse copy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy in Reverse of a Design for a Candlestick in the Antique Manner
Anonymous, Italian, 16th century (d. 1600)
ca. 1552–70 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nessus and Dejanira (copy in reverse)
Sebald Beham (d. 1550)
1600 · Engraving; reverse copy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Democritus in Meditation, a copy in reverse
Salvator Rosa (d. 1673)
after 1662 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.