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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    579 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    339 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 634 matching records exist across the two collections.

Results for "Visitation (copy in reverse)"12 records

Institutions answered newest-first by record, interleaved

Christ in Limbo (reverse copy) by Bundele, The Metropolitan Museum of Art

Christ in Limbo (reverse copy)

Bundele

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
Two young satyrs and a boy (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Two young satyrs and a boy (copy in reverse)

Wenceslaus Hollar (d. 1677)

1647 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Poet (copy in reverse) by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

The Poet (copy in reverse)

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

ca. 1625–80 · Etching

Cleared · Public Domain

live
The MetSimilar
Paedopaegnion: Third Title Page (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Paedopaegnion: Third Title Page (copy in reverse)

Wenceslaus Hollar (d. 1677)

after 1651 · Etching

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi (copy in reverse) by Carlo Maratti, The Metropolitan Museum of Art

The Adoration of the Magi (copy in reverse)

Carlo Maratti (d. 1713)

17th century · Etching; reverse copy (Bellini)

Cleared · Public Domain

live
The MetSimilar
Six Boys (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Six Boys (copy in reverse)

Wenceslaus Hollar (d. 1677)

17th century (?) · Etching

Cleared · Public Domain

live
The MetSimilar
Three Peasants in Conversation (reverse copy) by Albrecht Dürer, The Metropolitan Museum of Art

Three Peasants in Conversation (reverse copy)

Albrecht Dürer (d. 1528)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
Visitation (copy in reverse) by Joseph Wagner, The Metropolitan Museum of Art

Visitation (copy in reverse)

Joseph Wagner (d. 1780)

1780 · Engraving; reverse copy

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Matthew and St. John (copy in reverse)

Sebald Beham (d. 1550)

1560 · Engraving; reverse copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy in Reverse of a Design for a Candlestick in the Antique Manner

Anonymous, Italian, 16th century (d. 1600)

ca. 1552–70 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nessus and Dejanira (copy in reverse)

Sebald Beham (d. 1550)

1600 · Engraving; reverse copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Democritus in Meditation, a copy in reverse

Salvator Rosa (d. 1673)

after 1662 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.