Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
275 ms. The Metropolitan Museum of Art, Collection API (Open Access)
479 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
Oval Medallions and Rondels, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)
Jacques Callot (d. 1635)
ca. 1631 · Etching and engraving; first state of two (Lieure)
Cleared · Public Domain
live
Oval Medallions and Rondels, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)
Jacques Callot (d. 1635)
ca. 1631 · Etching and engraving; second state of two (Lieure)
Cleared · Public Domain
live
Side table (commode en console)
Bernard II van Risenburgh (d. 1767)
ca. 1755–60 · Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visitation of the Virgin to Saint Elizabeth at center, set before classical buildings surrounded by many figures, two onlookers at lower right
Bartolomeo Passarotti (Passerotti) (d. 1592)
ca. 1550 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Visitation de Ste. Élizabeth (Visitation of St. Elizabeth), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.