
Two Muses
Charles Le Brun (d. 1690)
17th century · Red chalk, heightened with white, on beige paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
364 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 179 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Muses
Charles Le Brun (d. 1690)
17th century · Red chalk, heightened with white, on beige paper
Cleared · Public Domain
live
Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque
Joseph Vigier (d. 1862)
1853 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue de la Vallée de Luchon prise de la tour de Castelvieilh
Joseph Vigier (d. 1862)
1853 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue de face du balcon avant l'entière construction de la place
Louis-Pierre-Théophile Dubois de Nehaut (d. 1872)
1854–56 · Albumen silver print from paper negative
Cleared · Public Domain
live
Rue du Contrat-Social, de la rue de la Tonnellerie
Charles Marville (d. 1879)
1864–1865 · Albumen silver print from glass negative
Cleared · Public Domain
live
Vue de la Plaine de Thèbes prise du temple de Karnac
Gustave Le Gray (d. 1884)
1867 · Albumen silver print from paper negative
Cleared · Public Domain
live
Le telescope de la place de la Bastille
Louis Vert (d. 1924)
ca. 1900 · Gelatin silver transparency on glass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Obélisque de la place Dauphine ornamented with a tapestry depicting the King and Queen on the Chariot of Hymen, from Jean Tronçon, L'Entrée triomphante de leurs Majestez Louis XIV...et Marie Therese d'Austriche...dans la ville de Paris..., plate 6
Jean Le Pautre (d. 1682)
17th century · Etching;; second state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Belle Vue & Pont de Sêve, raken from the Terrace near Pont de St. Cloud (Vue de Belle Vue & du Pont de Sêve, prise de la Terrace près le Pont de St. Cloud)
Thomas Girtin (d. 1802)
1802 · Soft-ground etching with hand coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Belle Vue & Pont de Sêve, taken from the Terrace near Pont de St. Cloud (Vue de Belle Vue & du Pont de Sêve, prise de la Terrace près le Pont de St. Cloud)
Thomas Girtin (d. 1802)
1803 · Soft-ground etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Place Vendôme vue de sa fenêtre
Olympe Aguado de las Marismas (d. 1894)
1855 · Salted paper print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue prise de la place du palais
E. Huard (d. 1869)
late 1860s–70s · Albumen silver print from glass negative
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.