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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    216 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    353 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Vue de Longuetoise du haut de la petite"7 records

Institutions answered newest-first by record, interleaved

Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

live
The MetSimilar
Vue cavalière de la seconde cataracte, prise du haut de Djebel-Aboucir by Maxime Du Camp, The Metropolitan Museum of Art

Vue cavalière de la seconde cataracte, prise du haut de Djebel-Aboucir

Maxime Du Camp (d. 1894)

March 24, 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque by Joseph Vigier, The Metropolitan Museum of Art

Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque

Joseph Vigier (d. 1862)

1853 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
In the middle of the river: Come on, Balochet, give it a push!... You mustn't forget that some forty Parisians are watching us from the bridge up there!, from 'The bathers,' published in Le Petit Journal pour Rire, July 30, 1864 by Honoré Daumier, The Metropolitan Museum of Art

In the middle of the river: Come on, Balochet, give it a push!... You mustn't forget that some forty Parisians are watching us from the bridge up there!, from 'The bathers,' published in Le Petit Journal pour Rire, July 30, 1864

Honoré Daumier (d. 1879)

July 30, 1864 · Lithograph on newsprint; third state of three (Deltiel)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue de Longuetoise du haut de la grande Garenne (View of the Longuetoise Chateau seen from the large warren), from "Vues et paisages du chateau de Longuetoise et des environs"

Albert Flamen (d. 1688)

ca. 1648–64 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue de Longuetoise du haut de la petite Garenne (View of the Longuetoise Chateau seen from the small warren), from "Vues et paisages du chateau de Longuetoise et des environs"

Albert Flamen (d. 1688)

ca. 1648–64 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue du Caire, du haut de la Mosquée Touloun

Wilhelm Hammerschmidt (d. 1869)

1860s–70s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

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