Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,336 matching records exist across the two collections.

Results for "Vue de la Place de la Rotonde, from Les"12 records

Institutions answered newest-first by record, interleaved

Diana and her Nymphs by Laurent de La Hyre, The Metropolitan Museum of Art

Diana and her Nymphs

Laurent de La Hyre (d. 1656)

before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)

Cleared · Public Domain

live
The MetSimilar
Rue du Contrat-Social, de la rue de la Tonnellerie by Charles Marville, The Metropolitan Museum of Art

Rue du Contrat-Social, de la rue de la Tonnellerie

Charles Marville (d. 1879)

1864–1865 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrations of the Bayeaux Tapestry from "Les Monuments de la Monarchie française, vol. II"

Abbé Bernard de Montfaucon (d. 1741)

1730 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Bulles de savon (The Soap Bubbles), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

1751 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Génie de la France (Genius of France), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

1758 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Feue Madame la Comtesse de Brione, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Génie de la Musique (Genius of Music), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Genie de la Poësie (Genius of Poetry), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Armes de M. de Calviere (The Arms of M. de Calviere), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue de la Place de la Rotonde, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome

Dominico Montagu

1763 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette depicting the Profiles of Horace and Boileau, Volume 2, Page 182, from "Mes Passe-Temps: Chansons suivies de l'Art de la Danse, Poeme en Quatre Chants, Calqué sur l'Art Poétique de Boileau Despréaux. Ornés de Gravures d'après les Dessins de Moreau le jeune"

de la Cour (d. 1860)

published in 1806 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cafe de la Rotonde

Peggy Bacon (d. 1987)

ca. 1921 · Drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.