
Diana and her Nymphs
Laurent de La Hyre (d. 1656)
before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
256 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,336 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Diana and her Nymphs
Laurent de La Hyre (d. 1656)
before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)
Cleared · Public Domain
live
Rue du Contrat-Social, de la rue de la Tonnellerie
Charles Marville (d. 1879)
1864–1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrations of the Bayeaux Tapestry from "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Bulles de savon (The Soap Bubbles), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1751 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Génie de la France (Genius of France), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1758 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Feue Madame la Comtesse de Brione, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Génie de la Musique (Genius of Music), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Genie de la Poësie (Genius of Poetry), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Armes de M. de Calviere (The Arms of M. de Calviere), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue de la Place de la Rotonde, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome
Dominico Montagu
1763 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette depicting the Profiles of Horace and Boileau, Volume 2, Page 182, from "Mes Passe-Temps: Chansons suivies de l'Art de la Danse, Poeme en Quatre Chants, Calqué sur l'Art Poétique de Boileau Despréaux. Ornés de Gravures d'après les Dessins de Moreau le jeune"
de la Cour (d. 1860)
published in 1806 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cafe de la Rotonde
Peggy Bacon (d. 1987)
ca. 1921 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.