Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
214 ms. The Metropolitan Museum of Art, Collection API (Open Access)
467 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue de Longuetoise du haut de la grande Garenne (View of the Longuetoise Chateau seen from the large warren), from "Vues et paisages du chateau de Longuetoise et des environs"
Albert Flamen (d. 1688)
ca. 1648–64 · Etching
In copyright
live
Vue de la cour du Château de Blois
Jacques Rigaud (d. 1754)
c. 1720–50 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue de Longuetoise du haut de la petite Garenne (View of the Longuetoise Chateau seen from the small warren), from "Vues et paisages du chateau de Longuetoise et des environs"
Albert Flamen (d. 1688)
ca. 1648–64 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe du Chateau de Belle-vüe Prise du Côté de la Cour (View of the Chateau of Bellevue from the Courtyard Side)
Jean-Baptise Rigaud
ca. 1761 (?) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe particuliere de la Châpelle du Chateau de Versailles, Prise du Coté de la Cour (View of the Chapelle at the Chateau of Versailles, from the Courtyard Side)
Jean-Baptise Rigaud
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Diverses Vues du Chateau de Versailles, Vuë prise de la grande avenue entres les deux Ecuries (View of the Chateau of Versailles from the Large Avenue between the Two Stables)
Jean-Baptise Rigaud
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Premiere journée: Représentations d'Alceste dans la cour de marbre du château de Versailles
Jean Le Pautre (d. 1682)
1675–76, reprinted ca. 1860
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième journée: Festin autour de la fontaine de la cour de marbre du château
Jean Le Pautre (d. 1682)
1675–76, reprinted ca. 1860
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une semaine de bonté ou Les septs éléments capitaux
Max Ernst (d. 1976)
1934 · photomechanical reproduction of collages
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.