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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,572 matching records exist across the two collections.

Results for "Vue de la partie de la Maladetta et des"12 records

Institutions answered newest-first by record, interleaved

Vignette with a Medal depicting Harpocrate and Lotus Flowers, Volume I, Page 12, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Vignette with a Medal depicting Harpocrate and Lotus Flowers, Volume I, Page 12, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins

Augustin de Saint-Aubin (d. 1807)

1778–80 · Etching and engraving; third state of three (Bocher)

Cleared · Public Domain

live
The MetSimilar
Vignette with the Head of Bacchus on a Cornelian, Tome I, Page 242, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Vignette with the Head of Bacchus on a Cornelian, Tome I, Page 242, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins

Augustin de Saint-Aubin (d. 1807)

1778–80 · Etching

Cleared · Public Domain

live
The MetSimilar
Contes et nouvelles en vers par Jean de la Fontaine by Jean de La Fontaine, The Metropolitan Museum of Art

Contes et nouvelles en vers par Jean de la Fontaine

Jean de La Fontaine (d. 1695)

1795

Cleared · Public Domain

live
The MetSimilar
Collection de Meubles et Objets de Goût, vol. 1 by Pierre de La Mésangère, The Metropolitan Museum of Art

Collection de Meubles et Objets de Goût, vol. 1

Pierre de La Mésangère (d. 1831)

[1802–07] · Engraving, hand-colored

Cleared · Public Domain

live
The MetSimilar
Design for a Commode and Console (Plate 10), in Collection de Meubles et Objets de Goût, vol. 1 by Pierre de La Mésangère, The Metropolitan Museum of Art

Design for a Commode and Console (Plate 10), in Collection de Meubles et Objets de Goût, vol. 1

Pierre de La Mésangère (d. 1831)

[1802–07] · Engraving, hand-colored

Cleared · Public Domain

live
The MetSimilar
Collection de Meubles et Objets de Goût, vol. 2 by Pierre de La Mésangère, The Metropolitan Museum of Art

Collection de Meubles et Objets de Goût, vol. 2

Pierre de La Mésangère (d. 1831)

[1806–18] · Hand-colored engraving

Cleared · Public Domain

live
The MetSimilar
Collection de Meubles et Objets de Goût, vol. 3 by Pierre de La Mésangère, The Metropolitan Museum of Art

Collection de Meubles et Objets de Goût, vol. 3

Pierre de La Mésangère (d. 1831)

[1820–31] · Engraving, hand-colored

Cleared · Public Domain

live
The MetSimilar
Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque by Joseph Vigier, The Metropolitan Museum of Art

Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque

Joseph Vigier (d. 1862)

1853 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meubles et Objets de Goût

Pierre de La Mésangère (d. 1831)

[1802] · Engraving, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meubles et Voitures

Pierre de La Mésangère (d. 1831)

[1802–18] · Engraving, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meubles et Objets de Goût

Pierre de La Mésangère (d. 1831)

[1802–31] · Engraving, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meubles et Objets de Goût

Pierre de La Mésangère (d. 1831)

[1820–31] · Engraving, hand-colored

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.