Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    128 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Vue des Ouvrages de Peinture (west side)"7 records

Institutions answered newest-first by record, interleaved

Vue des Ouvrages de Peinture des Artistes Vivants Exposés au Museum Centrale des Arts en l'An VIII de la Republique Françoise by Antoine Maxime Monsaldy, The Metropolitan Museum of Art

Vue des Ouvrages de Peinture des Artistes Vivants Exposés au Museum Centrale des Arts en l'An VIII de la Republique Françoise

Antoine Maxime Monsaldy (d. 1816)

1800 · Etching

Cleared · Public Domain

live
The MetSimilar
Vue des Ouvrages de Peinture by Antoine Maxime Monsaldy, The Metropolitan Museum of Art

Vue des Ouvrages de Peinture

Antoine Maxime Monsaldy (d. 1816)

1801 · Etching

Cleared · Public Domain

live
The MetSimilar
Vue des Ouvrages de Peinture (east side) by Antoine Maxime Monsaldy, The Metropolitan Museum of Art

Vue des Ouvrages de Peinture (east side)

Antoine Maxime Monsaldy (d. 1816)

1801 · Etching

Cleared · Public Domain

live
The MetSimilar
Vue des Ouvrages de Peinture (west side) by Antoine Maxime Monsaldy, The Metropolitan Museum of Art

Vue des Ouvrages de Peinture (west side)

Antoine Maxime Monsaldy (d. 1816)

1801 · Etching

Cleared · Public Domain

live
The MetSimilar
Vue des Ouvrages de Peinture des Artistes Vivans, Exposés au Museum Central des Arts, en l'An VIII de la F. R. by Antoine Maxime Monsaldy, The Metropolitan Museum of Art

Vue des Ouvrages de Peinture des Artistes Vivans, Exposés au Museum Central des Arts, en l'An VIII de la F. R.

Antoine Maxime Monsaldy (d. 1816)

ca. 1800 · Etching with engraving

Cleared · Public Domain

live
The MetSimilar
Coin cabinet by Charles Percier, The Metropolitan Museum of Art

Coin cabinet

Charles Percier (d. 1838)

ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkiba or butti ancestor figure

Fumu-Teke or Bembe-Kongo artist

19th–early 20th century · Wood (ngasu or mulong), cloth, organic matter

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.